For
the January 2004 Issue
By DUCK BAKER
Coda Magazine Critic
Charles
Davis began lending his forceful baritone sound to outstanding hard
bop dates in the late 50's and has been at it ever since. Those
who have
followed Davis know that he has focused a fair amount on tenor in
recent
years. On "Blue Gardenia" Davis plays four tracks on tenor
and four on the
bari, and it's a toss-up which suits him better as he has something
particular to say on every tune in this excellent program, which
runs from
unusual standards to bossas to a couple of very hip blues lines.
Before considering Davis's own playing, it should be said at the
outset that
much of the credit for the success of this project must be shared
with his
rhythm section, which consists of the current Cedar Walton trio,
with Peter
Washington on bass and Joe Farnsworth on drums. While these two
names may
not seem familiar to readers who were digging Davis back when, both
men have
accumulated long lists of credits over the last decade or so, and
their work
here makes it easy to see why. Washington has big ears and a real
bass sound
and Farnsworth's light stick work and sizzling cymbals invite comparison
to
Roy Haynes. The pianist is in great form, soloing brilliantly and
displaying
his usual flair for the right kind of vamp, as when he transforms
Jobim's
"Sabia" with an almost down-home groove.
Davis was always a fine player, but he shows a depth and consistency
as
principal soloist that may surprise even long-standing fans. He
doesn't
focus on driving things, being content to almost float rhythmically
over the
ever-cooking section and concentrating on ideas that are often quite
unobvious in terms of phrasing and harmony. Davis certainly learned
from
Coltrane, but the things he learned aren't the things younger players
usually throw out, like running around on modal changes or bearing
down on
every note as if it may be the last. And maybe that's the key to
what's
winning about the horn playing here - it always reflects the concerns
of a
still-questing but thoroughly mature musical intelligence.
A fine outing by all concerned.
Copyright
2003 Coda Magazine. |